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Adele BBQ Deleted Scene BLUE IS THE WARMEST COLOR La Vie D'Adele. Watch later. Share. Copy link. Info. Shopping. Tap to unmute. Blue Is The Warmest Color UK Trailer - Drama HD. Movieclips Indie. Movieclips Indie. •. 2. [Private video]. •. 3. [Deleted video]. •. 4. Blue Is the. A link to an external website Deleted Scenes Info (from a Fan site) Abgeschickt Von a Fan of Blue Is the Warmest Color. Info about some deleted scenes (a few. BITWC deleted scene mysteries: Metro / subway scene Restaurant? scene Ferris Movie Poster - La vie d'Adèle - Blue is the warmest color - La vida de Adele. Carol & Blue is the Warmest Colour [ Beach House - Take Care ] | Song BITWC deleted scene mysteries: Metro / subway scene Restaurant? scene Ferris.

Blue is the warmest color deleted scenes

BITWC deleted scene mysteries: Metro / subway scene Restaurant? scene Ferris Movie Poster - La vie d'Adèle - Blue is the warmest color - La vida de Adele. BITWC deleted scene mysteries: Metro / subway scene Restaurant? scene Léa Seydoux as Emma in Blue Is the Warmest Color () directed by Abdellatif. Carol & Blue is the Warmest Colour [ Beach House - Take Care ] | Song BITWC deleted scene mysteries: Metro / subway scene Restaurant? scene Ferris.

However, Kechiche wants to tell a love story and more, and not limited to non-hetero. Again, Kechiche wants to tell. In her life, she commmunicates instinctly — eating, cooking, lovemaking, silence-being, dancing, … She needs to walk out closets, not only the closet of non-hetero, also the closets or cases of love, marriage, friendship, relationship, occupation, family and so on.

Wow, I love your indepth thoughts on this and I love your point of view! I do agree that mis-communication or lack of communication is the key to their downfall.

I also love how you eloquently put this.. Thank you for your thoughts and inputs! During the shooting, Kechiche promised to the movie company bosses that it would be a 2-hour length film.

We should be delighted to watch 60 more minutes but not feeling regretted on superfluous details. When comparing the film with the book, some viewers say the film is far better.

It must be interesting if there is one more film shot from the perspective of Emma for the story. We smell the tragedy here, as the same we smelled from the film, from life, for its inevitability and timelessness.

This is why she thinks if you think things are bad you should talk. You are commenting using your WordPress.

You are commenting using your Google account. You are commenting using your Twitter account. Kechiche illuminates the suffering and ecstasy of an awakening consciousness.

But his own colleague at the Times, Manohla Dargis, represents the opposite view, describing the director as "self-indulgent.

Kechiche bristled at the suggestion that his film reflects a typical "masculine regard" toward female sexuality. And he maintained that it was his right as an artist to portray the love between two women.

You can accuse me of being a voyeur or a pornographer, of being disengaged from reality, whatever, but that's my artistic sensibility. Jurors at the Cannes Film Festival were sufficiently impressed in May to give it the Palme d'Or, the highest prize that can be awarded.

In fact, they took the unusual step of awarding the prize jointly to Kechiche, Exarchopoulos and Seydoux for their artistic collaboration.

Jury President Steven Spielberg described the film as a "story of deep love and deep heartbreak," which he said left him and his fellow jurors "spellbound.

Accepting the prize, Kechiche, Exarchopoulos and Seydoux hugged and kissed on stage. That seems to have been the high point of their experience together.

It's been all downhill since. An indication of the stars' souring view of their director came last month, in a series of media appearances at the Telluride and Toronto film festivals.

Careful to praise Kechiche at the time, they nevertheless pointed out his shortcomings. You shoot the same scene every day for a week. Exarchopoulos chimed in, "Sometimes we were lost as actors.

He told us from the beginning, 'You have to have blind trust in me. Seydoux lamented, "It's not that you have to trust him.

You don't have the choice. In France, the director has all the power. Rising tensions between the director and his stars appeared to escalate and burst into the open recently.

Seydoux declared that Kechiche had made her feel like a prostitute during the filming of the sex scenes, and both she and Exarchopoulos said they would never work with him again.

Kechiche took particular umbrage toward Seydoux, writing an opinion piece for the French website rue89 in which he accused her of dragging his name through the mud and spreading lies about him to burnish her image as a cinematic "rebel.

All of this complicates the prospects of an Oscar campaign for the film and its stars. Blue Is the Warmest Color. The 49th Chicago International Film Festival.

More than most Palme d'Or winners, I mean. First, the running time: it's a "lifespan of a romantic relationship" drama that is great at three hours, and would probably be just as great and in the same ways if it was, say, two hours and a half.

Two hours and a quarter, even. Maybe I'm wrong about that, for certainly the grand scale of time the film covers justifies that kind of epic treatment, but there are a lot of small moments that are… fine, but the difference between a movie that needs to be three hours long and a movie that needn't aren't a plethora of "fine" moments.

Second, the sex. The explicit, barely-simulated lesbian sex. I am not now and have never been a lesbian, so I really shouldn't pretend like I have a meaningful opinion on whether the sex scenes staged by a straight male director and two straight female actors are meaningfully true to the lesbian experience, but I'll say that the complaints by Julie Maroh, author of the source material, that it's very male gazey seem pretty much spot on, and anyway when a lesbian author looks at the adaptation of her lesbian lovers and tells the world, "that's not how we do it", I'm inclined to at least give her the benefit of the doubt.

What I am is a seasoned film-watcher, and in that capacity, I can say this about the sex scenes: there are too many of them, and at least two of them are too long.

I can think of one plausible justification for this, which I'm going to hold on to for later. It sets up, much more clearly, what the film is actually about - since, unlike you've probably been led to believe, this isn't actually three hours of lesbians fucking, but a bildungsroman about a lesbian woman who, during her life, has sex - while also being well-grounded, symbolically, in the film's screenplay.

That's a whole lot of words to say, basically, that BITWC has flaws, and those flaws aren't tiny, and it feels like one of those Palmes that was given out for reasons somewhat larger than the movie itself.

And I say all of this in the hopes of augmenting your expectations better than mine were augmented, for I had some timorous hope based on the hype that this might end up being one of the great films of the modern day.

It's not at all, but it is awfully fucking good, and now I'm done saying bad things about the movie from here on out. The fact is, BITWC is a depiction of adolescent and young adult psychology, primarily as it focuses on romantic relationships, of unyielding intimacy and comprehensive scope.

The ways that the film present this all-encompassing relationship are fascinatingly done.

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